Sabbath was a realist, ferociously a realist, so that by sixty-four he had all but given up on making contact with the living, let alone discussing his problems with the dead.
Sabbath’s Theater by Philip Roth, 1995
Sabbath was a realist, ferociously a realist, so that by sixty-four he had all but given up on making contact with the living, let alone discussing his problems with the dead.
Sabbath’s Theater by Philip Roth, 1995